Tuesday 23 February 2016

Deep Listening or Compassionate Listening // Chapter 6 on Culture Preservation

I featured this article with ethnic people from continent of africa. childrens are great listeners of each other. observe them they very sincere when they listen.

I have been living in west relatively around 10 years, previous Portugal and now Sweden, in between, i travel around europe, places like Spain, Germany, Holland, Denmark, Belgium, France, Norway so on.
There is one thing i have noticed, when i relate with people that grew up in western culture, maybe is my wrong vision, but majority of time i experience a very chilling chat, or by observing others chatting, I figured out a great quality that westerners have,
when it comes to chatting, somehow many people in this culture adopted the posture that makes one who is talking think that are being listened.




Not all are fake listeners, are cases where the listening is real,  in fake listeners i notice more the body posture and facial expression that lots people do.
the problem of fake listeners is that in long term can be very harmful. Because in the end of the day, the one who supposed to listen, is lying to particular person, and this is very disrespectful. As i noticed this great quality that unfortunately is more expressed in facial and body posture. 
My tips,  for fake listeners is start to develop compassionate listening or deep listening, adding this essence in your facial and body posture, you will gain the ability to real listening, you will listen by heart, lets say more spiritual wise way of listen, and this will bring more humanistic and sincere approach of comunication that is so well need for better world. check the article bello via mindful org on tips of how to practice deep listening, compassionate listening more see the link below.
lots of psychologist, says that i great listener will find loyal friends.
The end of the day humans need friend, a great friend is one who have ability to listen with heart.






Unsatisfying communication is rampant in our society: in relationships between spouses, parents, and children, among neighbors and co-workers, in civic and political life, and between nations, religions, and ethnicities. Can we change such deeply ingrained cultural patterns? Is it possible to bring about a shift in the modes of communication that dominate our society? Contemplative practices, with their committed cultivation of self-awareness and compassion, may offer the best hope for transforming these dysfunctional and damaging social habits.






The health care imbroglio may be an extreme example, but it reflects a larger pathology in our culture, one that is driven by adversarialness on the one hand and disingenuousness on the other. If we are to survive in the twenty-first century we must become better communicators, speaking and listening honestly and compassionately across diversity and difference.

A fruitful place to begin work on shifting our patterns of communication is with the quality of our listening. Just as we now understand the importance of regular exercise for good health, we need to exercise and strengthen our ability as listeners.




Poor listeners, underdeveloped listeners, are frequently unable to separate their own needs and interests from those of others. Everything they hear comes with an automatic bias: How does this affect me? What can I say next to get things my way? Poor listeners are more likely to interrupt: either they have already jumped to conclusions about what you are saying, or it is just of no interest to them. They attend to the surface of the words rather than listening for what is “between the lines.” When they speak, they are typically in one of two modes. Either they are “downloading”—regurgitating information and pre-formed opinions—or they are in debate mode, waiting for the first sign that you don’t think like them so they can jump in to set you straight. All these behaviors were abundantly on display in the health care debate.




Good listening, by contrast, means giving open-minded, genuinely interested attention to others, allowing yourself the time and space to fully absorb what they say. It seeks not just the surface meaning but where the speaker is “coming from”—what purpose, interest, or need is motivating their speech. Good listening encourages others to feel heard and to speak more openly and honestly.
Carl Rogers, the great American psychologist, taught “active listening,” a practice of repeating back or paraphrasing what you think you are hearing and gently seeking clarification when the meaning is not clear. Deep Listening, as we present it in our workshops, incorporates some of the techniques of active listening, but, as the name suggests, it is more contemplative in quality. (The phrase “deep listening” is used in different ways by different people; we capitalize it when representing our approach.)

-------------------------
Thich Nhat Hanh on Compassionate Listening | Super Soul Sunday | Oprah Winfrey Network 


----------------------------
More full article post  bellow read

Deep Listening involves listening, from a deep, receptive, and caring place in oneself, to deeper and often subtler levels of meaning and intention in the other person. It is listening that is generous, empathic, supportive, accurate, and trusting. Trust here does not imply agreement, but the trust that whatever others say, regardless of how well or poorly it is said, comes from something true in their experience. Deep Listening is an ongoing practice of suspending self-oriented, reactive thinking and opening one’s awareness to the unknown and unexpected. It calls on a special quality of attention that poet John Keats called negative capability. Keats defined this as “when a man is capable of being in uncertainties, Mysteries, doubts without any irritable reaching after fact & reason.”


Our approach to Deep Listening focuses first and foremost on self-awareness as the ground for listening and communicating well with others. This may seem paradoxical—paying more attention to ourselves in order to better communicate with others—but without some clarity in our relationship to ourselves, we will have a hard time improving our relationships with others. A clouded mirror cannot reflect accurately. We cannot perceive, receive, or interact authentically with others unless our self-relationship is authentic. Likewise, until we are true friends with ourselves, it will be hard to be genuine friends with others.



Deep Listening is a way of being in the world that is sensitive to all facets of our experience—external, internal, and contextual. It involves listening to parts we frequently are deaf to, attending to subtleties of the three realms of experience that Buddhism calls “body, speech, and mind.” In order to balance and integrate body, speech, and mind, Deep Listening teaches three different but complementary contemplative disciplines: Buddhist mindfulness–awareness meditation to clarify and deepen mental functioning; the

Alexander Technique to cultivate awareness of the body and its subtle messages; and Focusing, a technique developed by psychologist and philosopher Eugene Gendlin that utilizes “felt-sensing” to explore feelings and nurture intuitive knowing.

----- 
via: mindful.org

reedited by dumbanenguebyceleste : culture preservation Stockholm Sweden 2016

Monday 22 February 2016

Esperanza Emily Spalding // Black History Month Curated by dumbanenguebyceleste // Day XI...





Esperanza Emily Spalding born in  Portland, Oregon October 18, 1984 is an American jazz bassist, cellist and singer, who draws upon many genres in her own compositions. 
Spalding began performing live in clubs in Portland, Oregon, as a teenager, securing her first gig at 15 in a blues club, when she could play only one line on bass. One of the seasoned musicians with which she played that first night invited her to join the band's rehearsals "so she could actually learn something," and her rehearsals soon grew into regular performances spanning almost a year.





According to Spalding, it was a chance for her to stretch as a musician, reaching and growing beyond her experience. Her early contact with these "phenomenal resources," as she calls the musicians who played with her, fostered her sense of rhythm and helped nurture her interest in her instrument.

---------

Esperanza Spalding BLACK GOLD- OFFICIAL




Spalding was the 2005 recipient of the Boston Jazz Society scholarship for outstanding musicianship. Almost immediately after graduation from college later the same year, Spalding was hired by Berklee College of Music, becoming one of the youngest instructors in the institution's history,at age 20.  As a teacher, Spalding tries to help her students focus their practice through a practice journal, which can help them recognize their strengths and what they need to pursue.







Esperanza does not consider herself a musical prodigy, having said,
 "I am surrounded by prodigies everywhere I go, but because they are a little older than me, or not a female, or not on a major label, they are not acknowledged as such."
Influences and attitude toward music and jazz
Spalding was mentored by Thara Memory.




She has cited jazz bassists Ron Carter and Dave Holland as important influences on her music—Carter for the "orchestration" of his playing and Holland for the way his compositional method complements his personal style. She has described the saxophone player Wayne Shorter, and singer-songwriter Milton Nascimento, as heroes. She has also noted her preference for the music of Brazil.







Spalding has said she loves fusion music and was influenced by a "wonderful arc that started 40 years ago where people kept incorporating modern sounds into their music. Spalding, who has expressed a desire to be judged for her musicianship rather than her sex appeal, believes that female musicians must take responsibility to avoid oversexualizing themselves. And, to write original music, one must read and stay informed about the world. She has said she models her career on those of Madonna and Ornette Coleman.


---------------------
excerpt : wikipedia  Feb -2016 Stockholm Sweden.
edited  by dumbanenguebyceleste

Sunday 14 February 2016

Joy de Gruy Leary // Black History Month Curated by dumbanenguebyceleste // Day X...



 in the photo : Joy to Consult with Oprah on her upcoming 7 part series, “Belief “.


Dr. Joy de Gruy Leary is a nationally and internationally renowned researcher, educator, author and presenter. She is an ambassador for healing and a voice for those who’ve struggled in search of the past, and continue to struggle through the present. Dr. Joy is the acclaimed author of Post Traumatic Slave Syndrome — America’s Legacy of Enduring Injury and Healing, Post Traumatic Slave Syndrome: The Study Guide , with a second book in the works , Post Traumatic Slave Syndrome Part 2: Be The Healing.
Dr. DeGruy holds a Bachelor of Science degree in Communications; two master degrees in Social Work and Clinical Psychology; and a PhD in Social Work Research. With over twenty years of practical experience as a professional in the field of social work, she gives a practical insight into various cultural and ethnic groups that form the basis of contemporary American society.




THE DR. JOY EXPERIENCE
Through lectures, workshops, seminars and special guest appearances, Dr. Joy has shined a light on the critical issues affecting society. Those who have experienced Dr. Joy in person, can tell you that they have been “stimulated, enlightened and inspired.” Dr. Joy’s seminars have been lauded as the most dynamic and inspirational currently being presented on the topics of culture, race relations and contemporary social issues. Topics include:



-------------------------------------
Post traumatic Disorder Dr Joy de Gruy Leary // Lecture in London Uk 



Post Traumatic Slave Syndrome – Effects of Slavery and Institutionalized Racism
Diversity Training
Healing Workshops
Culture Specific Models
Community Building
Violence and Gang Prevention




Dr. Joy DeGruy authored the book entitled Post Traumatic Slave Syndrome: America’s Legacy of Enduring Injury and Healing, which addresses the residual impacts of trauma on African Descendants in the Americas. Post Traumatic Slave Syndrome lays the groundwork for understanding how the past has influenced the present, and opens up the discussion of how we can eliminate non-productive attitudes, beliefs and adaptive behaviors and, build upon the strengths we have gained from the past to heal injuries of today.
// more see in her site : Joy de Gruy Leary

.............

edited by dumbanenguebyceleste : Stockholm -Sweden Feb -2016


Tuesday 9 February 2016

Shaun Ross // Black History Month Curated by dumbanenguebyceleste // Day IX...

Shaun Ross  Born in the Bronx,  May 10, 1991 is an American professional fashion model, actor and dancer best known for being the first male albino pro model. He has been featured in photo-editorial campaigns in fashion publications including British GQ, Italian Vogue, i-D Magazine, Paper Magazine and Another Man. He has modeled for Alexander McQueen and Givenchy.



Ross is of African-American descent when he was growing up, Ross dealt with much discrimination for being albino. He was bullied frequently by his peers, called names such as "Powder", "Wite-Out", and "Casper". After training at the Alvin Ailey School for five years, Ross was discovered on YouTube and crossed over to the fashion industry in 2008 at 16 years old.




Career

At 16 he was represented by Djamee Models in New York City. He was also signed by AMCK Models London. In 2009, Ross appeared on the Tyra Banks Show. He shared the show with fellow albinistic African American model Diandra Forrest; together, they shared their life stories about how different life was for them. Later that year, Ross played a role in a short film by Yoann Lemoine which won a first-place prize in a contest sponsored by Italian Vogue. 





Ross also worked with other directors, such as Julien Seri, Jason Last, Jessica Yatrofsky and Ella Manor in both film and television. Ross has appeared in music videos, including Katy Perry's "E.T.", Beyoncé's "Party" and "Pretty Hurts", Gold Field's "Dark Again", as well as Lana Del Rey's short film Tropico and Leona Lewis' "Fire Under My Feet".



Ross recently became the face of Ford Motor Company, with the slogan "Be Unique".
Ross appeared in the 2015 TV series The Man in the High Castle as the recurring character of the albino shoe shine boy.





Philanthropy

 CNN News : Shaun Ross challenges notions of what perfection means in beauty.




In 2014 Shaun Ross launched a movement " In My Skin I Win " is a self encouraged community that practices equality in all forms.

 In My Skin I Win first started out as a movement for individuals who have albinism, and later grew to become a phenomenon with global reach that everyone can relate to. The core idea of being comfortable in your own skin is the founding idea, and the goal is to show people all around the world that they too are not alone, encouraging everyone around the world to feel comfortable and confident in their own skin no matter what. 
Shaun Ross Is Part oUnited Nation Human Rights  on  Albinism Awareness Campaign 

More of Shaun Ross Philantrophy : In My Skin I Win 

____
excerpt via : Wikipedia

Monday 8 February 2016

Cesária Évora // Black History Month Curated by dumbanenguebyceleste // Day VIII...





Cesária Évora born in Mindelo, São Vicente 27 August 1941 – 17 December 2011 was a Cape Verdean popular singer. Nicknamed the "Barefoot Diva" for performing without shoes, she was also known as the "Queen of Morna".


Life and career

 When she was seven years old her father, who was a part-time musician, died, and at the age of ten she was placed in an orphanage, as her mother could not raise all six children. At the age of 16, she was persuaded by a friend to sing in a sailors' tavern.





In the 1960s, she started singing on Portuguese cruise ships stopping at Mindelo as well as on the local radio. It was only in 1985 when at the invitation of Cape Verdean singer Bana she went to perform in Portugal. In Lisbon she was discovered by the producer José da Silva and invited to record in Paris.

--------------------
Cesária Évora music video - Sangue De Beirona

 


------------- more to read bellow




Évora's international success came only in 1988 with the release of her first commercial album La Diva Aux Pieds Nus, recorded in France. Prior to the release of the La Diva Aux Pieds Nus album, Cesaria recorded her first LP titled "Cesaria" in 1987. This Album was later released on CD in 1995 as Audiophile Legends. Her 1992 album Miss Perfumado sold over 300,000 copies worldwide. It included one of her most celebrated songs, "Sodade".
The house of Cesária Évora.






Her 1995 album Cesária brought her broader international success and the first Grammy Award nomination. In 1997, she won KORA All African Music Awards in three categories: "Best Artist of West Africa", "Best Album" and "Merit of the Jury". In 2003, her album Voz d'Amor was awarded a Grammy in the World music category.





In 2006 in Italy Cesaria met Alberto Zeppieri (songwriter, journalist and record producer), who would dedicate to her "Capo Verde, terra d'amore" (www.capoverde-italia.it), taking care of all creative adaptations in Italian. Cesaria agreed to duet with Gianni Morandi , Gigi D'Alessio  and Ron . The project, now in its fifth volume, gives visibility and raises funds for the UN World Food Programme, for which Cesaria was the Ambassador from 2003.




Legacy

    On 3 September 2013, her name was boosted publicly by the Belgian musician Stromae, when he released his famous album Racine Carrée, that includes "Ave Cesaria", a track that honours Cesária Évora, one of Stromae's favourite artists.





    On December 22, 2014, the Bank of Cape Verde introduced a new series of banknotes that honor Cape Verdean figures in the fields of literature, music, and politics. Her face was featured in the new 2000 Escudos banknote.


-----------
excerpt via : wikipedia
_______
edited by dumbanenguebyceleste feb-8-2016 Stockholm Sweden

Sunday 7 February 2016

Chimamanda Ngozi Adichie // Black History Month Curated by dumbanenguebyceleste //Day VII...






Chimamanda Ngozi Adichie born  in the city of Enugu,15 September 1977 is a Nigerian novelist, nonfiction writer and short story writer. She has been called "the most prominent" of a "procession of critically acclaimed young anglophone authors is succeeding in attracting a new generation of readers to African literature". Chimamanda grew up the fifth of six children in an Igbo family in the university town of Nsukka in southeastern Nigeria, where the University of Nigeria is situated. While she was growing up, her father James Nwoye Adichie was a professor of statistics at the university, and her mother Grace Ifeoma was the university's first female registrar. Her family's ancestral village is in Abba in Anambra State. 
---------------- 


Personal life and education


Adichie studied medicine and pharmacy at the University of Nigeria for a year and a half. During this period, she edited The Compass, a magazine run by the university's Catholic medical students. At the age of 19, Adichie left Nigeria for the United States to study communications and political science at Drexel University in Philadelphia; she transferred to Eastern Connecticut State University to be near her sister, who had a medical practice in Coventry. She received a bachelor's degree from Eastern, with the distinction of summa cum laude in 2001. In 2003, she completed a master's degree in creative writing at Johns Hopkins University. In 2008, she received a Master of Arts degree in African studies from Yale University.



Adichie was a Hodder fellow at Princeton University during the 2005–06 academic year. In 2008 she was awarded a MacArthur Fellowship. She has also been awarded a 2011–12 fellowship by the Radcliffe Institute for Advanced Study, Harvard University. Adichie divides her time between Nigeria, where she teaches writing workshops, and the United States.




Writing career
Adichie published a collection of poems in 1997 (Decisions) and a play (For Love of Biafra) in 1998. She was shortlisted in 2002 for the Caine Prize for her short story "You in America".
In 2003, her story "That Harmattan Morning" was selected as a joint winner of the BBC Short Story Awards, and she won the O. Henry prize for "The American Embassy". She also won the David T. Wong International Short Story Prize 2002/2003 (PEN Center Award).
Her first novel, Purple Hibiscus (2003), received wide critical acclaim; it was shortlisted for the Orange Prize for Fiction (2004) and was awarded the Commonwealth Writers' Prize for Best First Book (2005).




Her second novel, Half of a Yellow Sun, named after the flag of the short-lived nation of Biafra, is set before and during the Nigerian Civil War. It received the 2007 Orange Prize for Fiction and the Anisfield-Wolf Book Award. Half of a Yellow Sun has been adapted into a film of the same title directed by Biyi Bandele, starring BAFTA winner and Academy Award nominee Chiwetel Ejiofor and BAFTA award-winner Thandie Newton, and was released in 2014.




Her third book, The Thing Around Your Neck (2009), is a collection of short stories. In 2010 she was listed among the authors of The New Yorker′s "20 Under 40" Fiction Issue. Adichie's story, "Ceiling", was included in the 2011 edition of The Best American Short Stories. Her third novel, Americanah (2013), was selected by the New York Times as one of The 10 Best Books of 2013.




In April 2014 she was named as one of 39 writers aged under 40 in the Hay Festival and Rainbow Book Club project Africa39, celebrating Port Harcourt UNESCO World Book Capital 2014. In 2015, she was co-curator of the PEN World Voices Festival. Adichie says on feminism and writing, "I think of myself as a storyteller, but I would not mind at all if someone were to think of me as a feminist writer... I'm very feminist in the way I look at the world, and that world view must somehow be part of my work."


--------------------


Lectures


 
Adichie spoke on "The Danger of a Single Story" for TED in 2009.




On 15 March 2012, she delivered the "Connecting Cultures" Commonwealth Lecture 2012 at the Guildhall, London. Adichie also spoke on being a feminist for TEDxEuston in December 2012, with her speech entitled, "We should all be feminists". This speech was sampled for the 2013 song "***Flawless" by American performer Beyoncé, where it attracted further attention.
"We should all be feminists" TEDx talk, and "Flawless" song verse
"We should all be feminists" was a TEDx talk that was given by Adichie in 2013. She shared her experiences of being an African feminist, and her views on gender construction and sexuality. 




Adichie believes that the problem with gender is that it shapes who we are.
"I am angry. Gender as it functions today is a grave injustice. We should all be angry. Anger has a long history of bringing about positive change, but in addition to being angry, I’m also hopeful because I believe deeply in the ability of human beings to make and remake themselves for the better."
Parts of Adichie's talk were sampled in Beyoncé's song "Flawless" in December 2013. Speaking of the performance during an interview with NPR.org, Adichie commented that "anything that gets young people talking about feminism is a very good thing." Responding to critiques of Beyoncé's feminist credentials in another interview, Adichie asserted that "Whoever says they’re feminist is bloody feminist." 

---------------------

Chimamanda Ngozi Adichie's sampled talk parts in Beyoncé's song "Flawless" (Note: The parts significantly contribute to the song lyrics that Adichie takes on the description of featuring artiste on the track): in video bellow after 1:28 min //





    We teach girls to shrink themselves, to make themselves smaller
    We say to girls: "You can have ambition, but not too much
    You should aim to be successful, but not too successful
    Otherwise, you will threaten the man"
    Because I am female, I am expected to aspire to marriage
    I am expected to make my life choices
    Always keeping in mind that marriage is the most important
    Now, marriage can be a source of joy and love and mutual support
    But why do we teach girls to aspire to marriage
    And we don't teach boys the same?
    We raise girls to see each other as competitors
    Not for jobs or for accomplishments, which I think can be a good thing
    But for the attention of men
    We teach girls that they cannot be sexual beings in the way that boys are
    Feminist: a person who believes in the social
    Political, and economic equality of the sexes


----------------



Awards and nominations since 2002
 have been many until recent times

2002     Caine Prize for African Writing     "You in America"     Nominated
Commonwealth Short Story Competition     "The Tree in Grandma's Garden"     Nominated
BBC Short Story Competition     "That Harmattan Morning"     Won
...2014     Baileys Women's Prize for Fiction     Nominated
Andrew Carnegie Medal for Excellence in Fiction     Nominated
MTV Africa Music Awards 2014: Personality of the Year     Herself     Nominated
2015     Grammy Award: Album of the Year     BEYONCÉ     Nominated
International IMPAC Dublin Literary Award     Americanah     Nominated


---------------
excerpt: wikipedia
edited by dumbanenguebyceleste feb -7 -2016

Saturday 6 February 2016

Malick Sidibé // Black History Month Curated by dumbanenguebyceleste //Day VI...

Malick Sidibé born in Bamako, Mali 1935 or 1936 is a Malian photographer noted for his black-and-white studies of popular culture in the 1960s in Bamako.
He was a peasant child who raised animals. From the age of five or six he began herding animals and working the land. When the time came he was chosen to be sent to the white school for an education. During his first year he became interested in art and by high school he was doing drawings for official events. The Major admired his talent and selected him to go to the School of Sudanese Craftsmen in the capital Bamako. It was at this school where Sidibé was approached by a photographer and learned the skills which he would pursue for the rest of his life.




Career

In 1955, he undertook an apprenticeship at Gérard Guillat-Guignard's Photo Service Boutique, also known as Gégé la pellicule. In 1956 he bought his first camera, a Brownie Flash, and in 1957 became a full-time photographer, opening his own studio (Studio Malick) in Bamako in 1958. He specialized in documentary photography, focusing particularly on the youth culture of the Malian capital.


---------------

 Malick Sidibé | Icontent | Douglas Sloan Director


 ------------
more read bellow...

 Sidibé took photographs at sport events, the beach, nightclubs, concerts, and even tagged along while the young men seduced girls. He increasingly became noted for his black-and-white studies of popular culture in the 1960s in Bamako.




 Musicians like Salif Keita and Ali Farka Touré came to international attention in the 1990s, at almost the same moment as Malian photography was being recognized. One of the best known of Sidibé's works from that time is Nuit de Noel, Happy Club (Christmas Eve, Happy Club) (1963), in which a smiling couple — the man in a suit, the woman in a Western party dress, but barefoot.










In the 1970s, Sidibé turned towards the making of studio portraits. His background in drawing became useful in a way that he was able to position people so they still appeared alive in photos rather than mummie like. People enjoyed the studio, it was different than others and had electricity which was a luxury at the time. Sidibé was able to increase his reputation through the first meetings on African photography in Mali in 1994.





Collections and exhibitions

His work is now exhibited internatinally major galleries like Fondation Cartier in Paris, the United States and Japan. Many of his photographs are part of The Contemporary African Art Collection (CAAC) of Jean Pigozzi.

Malick Sidibé is represented by Fifty One Fine Art Photography, Antwerp.





Recognition

In 2003, Sidibé received the Hasselblad Award for photography.
In 2006 Tigerlily Films made a documentary entitled Dolce Vita Africana about Malick Sidibé, filming him at work in his studio in Bamako, having a reunion with many of his friends (and former photographic subjects) from his younger days and speaking to him abouthis work.




Art work inspire by Malick Sidibe Photograhy Aesthetics

In 2007, Sidibé became the first African and the first photographer to be awarded the Golden Lion Award for Lifetime Achievement at the Venice Biennale. Robert Storr, the show’s artistic director, said, “No African artist has done more to enhance photography’s stature in the region, contribute to its history, enrich its image archive or increase our awareness of the textures and transformations of African culture in the second half of the 20th century and the beginning of the 21st than Malick Sidibé.” In 2008, Sidibé was awarded the ICP Infinity Award for Lifetime Achievement. 



-----------
excerpt via : wikipedia

---------
edited by dumbanenguebyceleste Stockholm Sweden feb 6 -2016

Friday 5 February 2016

Ella Jane Fitzgerald // Black History Month Curated by dumbanenguebyceleste // Day V...





Ella Jane Fitzgerald born in Newport News, Virginia, April 25, 1917 was an American jazz singer often referred to as the First Lady of Song, Queen of Jazz and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing and intonation, and a "horn-like" improvisational ability, particularly in her scat singing, she began her formal education at the age of six and proved to be an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School from 1929.



While she seems to have survived during 1933 and 1934 in part from singing on the streets of Harlem, Fitzgerald made her most important amateur singing debut at age 17 on November 21, 1934, in one of the earliest of the famous Amateur Nights at the Apollo Theater. She had originally intended to go on stage and dance, but, intimidated by a local dance duo called the Edwards Sisters, she opted to sing instead.

--------------

 This performance took place in 1969
 at the legendary Montreux Festival in Switzerland,
 Ella Sings dazzling song "This Girl's in love with you"



 read more bellow

 Performing in the style of Connee Boswell, she sang "Judy" and "The Object of My Affection" and won the first prize of US $25.00. In theory, she also won the chance to perform at the Apollo for a week but, seemingly because of her disheveled appearance, the theater never gave her that part of her prize. 



 Synopsis

Following a troubled childhood, Ella Fitzgerald turned to singing and debuted at the Apollo Theater in 1934. Discovered in an amateur contest, she went on to became the top female jazz singer for decades. In 1958, Fitzgerald made history as the first African-American woman to win a Grammy Award. Due in no small part to her vocal quality, with lucid intonation and a broad range, the singer would go on to win 13 Grammys in total and sell more than 40 million albums. Her multi-volume "songbooks" on Verve Records are among America's recording treasures. Fitzgerald died in California in 1996.





Rising Star

Going out on her own, Fitzgerald landed a deal with Decca Records. She recorded some hit songs with the Ink Spots and Louis Jordan in the early 1940s. Fitzgerald also made her film debut as Ruby in 1942's comedy western Ride 'Em Cowboy with Bud Abbott and Lou Costello. Her career really began to take off in 1946 when she started working with Norman Granz, the future founder of Verve Records. In the mid-1940s, Granz had started Jazz at the Philharmonic, a series of concerts and live records featuring most of the genre's great performers. Fitzgerald also hired Granz to become her manager.






Queen of Jazz...Legacy

The 1950s and '60s proved to be a time of great critical and commercial success for Fitzgerald, and she earned the moniker "First Lady of Song" for her mainstream popularity and unparalleled vocal talents. Her unique ability to mimic instrumental sounds helped popularize the vocal improvisation of scatting, which became her signature technique.




Since her passing, Fitzgerald has been honored and remembered in many ways. The United States Postal Service honored the late singer with an Ella Fitzgerald commemorative stamp celebrating the 90th anniversary of her birth. That same year, the tribute album We All Love Ella: Celebrating the First Lady of Song featured such artists as Gladys Knight, Etta James and Queen Latifah performing some of Fitzgerald's classics. 

____

excerpt from : Bio   and  Wikipedia

----------
edited by dumbanenguebyceleste Feb 5 - 2016 / Stockholm Sweden